Ranking The 2020 Oscars Best Picture Nominees

I can only hope for an Academy Awards ceremony half as entertaining as Sunday’s amazing Super Bowl. As the wait for this year’s Oscars comes to an end, the hype is higher now than ever. I’ve already predicted who I believe will win in each major category, but in today’s post, I will be ranking 2020’s Best Picture nominees now that I’ve seen them all. These rankings are based on how much I personally enjoyed each movie, respectively. Let’s dive in.

9. Ford V. Ferrari, (6/10) - This is the only offering on the list which I’m not sure as to why it was nominated for Best Picture. That isn’t to say that this is a bad film, because it isn’t. Instead, this just felt like a blockbuster with very little to offer other than entertaining racing scenes and decent performances. To me, a Best Picture nominee needs to offer more than this movie did, and because of that, it’s last in my rankings.

8. Jojo Rabbit, (7/10) - Many have put Jojo Rabbit toward the top of their lists. While I generally enjoyed this movie, its pacing and tonal issues toward the second half really removed me from a story I was interested and emotionally invested in up until that point. Minor story revisions could’ve easily improved this film for me, and I’m disappointed that I didn’t enjoy it more. So much potential. Full review here.

7. Little Women, (7/10) - Greta Gerwig’s adaptation of Louisa May Alcott’s “Little Women” was my first exposure to the story, as I haven’t yet read the source material or seen the previous film adaptations. I enjoyed this film from beginning to end, but because of the nature of this specific adaptation, I was lead to believe that having at least a basic understanding of the story’s arc and timeline is necessary to appreciation the 2019 version the way it’s told. Still a good movie with stellar performances, particularly from Florence Pugh and Saoirse Ronan.

6. Once Upon A Time In… Hollywood, (7/10) - My second viewing of this film didn’t change my opinion of it much. I still generally enjoyed the story and performances here, and respect the fact that it’s Tarantino’s love-letter to Hollywood, but feel like a given viewer needs a personal connection to Los Angeles to fully appreciate this film. I don’t have one, and because of that, there’s something missing here. Still a good movie. Full review here.

5. The Irishman, (8/10) - Martin Scorsese’s epic directorial offering which is an adaptation of “I Heard You Paint Houses” checked nearly all the boxes for me. While it does have a remarkably lengthy runtime, its story is still captivating and eventually heartbreaking. The different take on the traditional gangster movie is fresh, original, and compelling. Great performances from an A-list ensemble cast.

4. Joker, (9/10) - Joaquin Phoenix winning Best Actor is a given this year, and it will be well-deserved. His performance of this film’s title character is haunting and adds a dimension to this story that only Phoenix could deliver. Everything from this film’s messaging to its score is incredibly well thought-out, and as a fan of comics, I loved this movie. Full review here.

3. Marriage Story, (9/10) - If the Academy offered a “Best Scene” award, that scene from this movie would definitely win this year. Two career performances from Scarlet Johansson and Adam Driver propel Noah Baumbach’s stellar screenplay in a compelling, heart-wrenching story full of ups and downs. I’ve watched this film three times and still enjoy every second of it.

Tied for 1. Parasite & 1917, (10/10 & 10/10) - When I originally reviewed Bong Joon-ho’s Parasite, I scored it a 9/10 and docked it a point due to what, at the time, I considered a pacing issue toward the middle of the movie. After careful thought and consideration, I realize that what I considered a flaw with this movie was actually necessary for the rest of its plot to function as beautifully as it does. Because of this, I now have no gripes with this movie, and am giving it a perfect score. This really is a masterpiece. The depth of the characters, the richness of the symbolism throughout, and the social commentary offered here are unparalleled, and this is a must-see for any film lover. I reviewed 1917 as soon as I got home from the theater, knowing full-well that this was a perfect film in my eyes. Not only a technical achievement, this film shines a light on the horrors of war and tells a compelling, intense story driven by amazing performances. If either one of these films wins Best Picture on Oscar night, I will be extremely pleased. Parasite review here, 1917 review here.

And there we have it, the nine Best Picture nominees ranked for the 2020 Oscars. I sound like a broken record at this point, but 2019 really was a spectacular year for film that will be remembered for years to come. It’s a shame that Portrait of a Lady on Fire (review here) wasn’t nominated, as it is another 10/10 for me, but I will be happy with either Parasite or 1917 winning the big award on February 9th. How would you rank the Best Picture nominees? Let me know! Thanks for reading.