My Top 5 Albums Of 2019

2019 was great for music. As it comes to a close, it’s time to reflect on some of the best projects that were released throughout the past year. Today, I will be ranking and explaining my top 5 favorite albums released in the past year. Let’s get down to business.

Honorable mentions: thank u, next by Ariana Grande, Charli by Charli XCX, All My Heroes Are Cornballs by JPEGMAFIA, MAGDALENE by FKA twigs, Norman Fucking Rockwell! by Lana Del Rey

5. WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? by Billie Eilish: A breakout star whose popularity spread so rampantly that many thought of her as an industry plant, Billie Eilish is starting to cement herself as one of the best alternative pop artists making music today. The blood, sweat, and tears that she and her brother put into creating this wonderfully creative, dark, and revealing album becomes quickly apparent upon listening, and the replay-ability of this project is undeniable. I cannot wait to see which direction Billie takes musically moving forward, because her debut album was one of the best of 2019.

4. The Highwomen by The Highwomen: I never thought I would like a “country” album as much as I enjoyed this one. The four delightfully talented women who have assembled this blues supergroup released one of the most compelling albums of the year in their self-titled debut project. I found myself humming the choruses to these songs repeatedly and constantly reflecting on the heartfelt lyricism offered here. That lyricism is supported by astounding vocal performances throughout, and this album is jam-packed with very uplifting and positive themes while still heart-wrenching at times. Great stuff here.

3. Assume Form by James Blake: This album was one of my most-listened-to in 2019, and for good reason. James Blake is realizing his full potential as an artist, and the refined nature of Assume Form proves that he’s ready to take the next step in his musical career. Relatable themes, tasteful features, and incredible vocals make this project an incredibly enjoyable listen. Plus, he was great live when my girlfriend saw him locally in February.

2. GINGER by BROCKHAMPTON: While not as explosively braggadocios as the group’s SATURATION trilogy or their uniquely aggressive IRIDESCENCE, GINGER is just of compelling of a project for me as their others, if not more so. This project finally unpacks the departure of former member Ameer Vann, not holding back from sharing the emotional impact that his removal had on the rest of the group. This is as introspective as the boy band has gotten yet, and I’m here for it. Plus, this project is still full of the classic bangers that put these guys on the map in the first place. Again, they are great live and I highly suggest checking them out.

1. IGOR by Tyler, The Creator: They grow up so fast. All jokes aside, Tyler’s evolution as an artist and a person over the past few years is nothing short of awe-inspiring. He prefaced this album making sure his fans knew that this project would be nothing like any of his previous work, which was entirely accurate to say the least. This project is experimental yet immediately familiar, and Tyler’s unabashed emotional vulnerability and honesty adds to this album’s narrative beautifully and compellingly. He put on an incredible show when I was able to see him in October, and the production accompanied by the wonderful story-telling of this project makes it difficult to not call it a 10/10. It’s definitively my favorite album of the year.

The subjectivity of music and of art in general is what makes it so appealing to me. Virtually everyone’s opinions and tastes are different at least slightly, which is why I like to hear the rationale behind others’ favorite pieces of music, art, film, or any other medium. What were your top 5 albums of the year? Do you agree with my reasoning? Let me know. More coming soon.

Album Review: GINGER - BROCKHAMPTON

The self-proclaimed “hardest working boyband” has returned to releasing music with their long-awaited album GINGER. After what was a transitional period for the group musically and personally around the release of their previous project IRIDESCENCE, BROCKHAMPTON has returned to address some the controversies that could’ve easily torn them apart.

To fully appreciate the importance of this album, you need to be familiarized with BROCKHAMPTON as a group and with the drama they’ve collectively been through. The rap group formed after meeting on internet forum kanyetothe.com in 2015. Shortly after meeting, the group moved into a house together and started making music. The group took the internet and hip-hop community by storm after releasing the SATURATION Trilogy, which consisted of three outstanding albums within the same year (2017). After finding success, allegations of sexual misconduct came out against one of the group’s biggest members Ameer Vann. These allegations, along with other personal drama stemming from Vann, lead the rest of the group to elect to kick him out of the group. This sort of decision clearly wasn’t an easy one for the group, but in their mind, it had to be done. IRIDESCENCE, the first album of BROCKHAMPTON’s that came after the Vann incident, was chaotic and disjointed in many ways. It was evident that there was emotional pressure on the group, and they still needed time to process what they had been through. GINGER is the opposite of IRIDESCENCE in many ways, and it is a project about embracing those around you who are still there after shared trauma. This is an amazing project.

What makes BROCKHAMPTON special is getting to know the personalities of all of its members. Whether you prefer Joba, Matt Champion, Kevin Abstract, or Bearface most, every artist has a unique style to contribute, and collectively their stories are greater than the sum of their parts. Having what feels like a connection to this group after getting to know and love their music over the past years makes their emotional rawness throughout this project so powerful. Each member shares their experience over the last year, and each is different - Joba turning to religion, Dom still feeling resentment and anger for the person who betrayed him which comes to a tipping point during the bone-chilling “DEARLY DEPARTED”, or Matt Champion’s reservations to completely blame Ameer altogether. At the beginning of this album, even apparent in its opening lines, it’s clear that the group is lost, but by the end, they are embracing and thankful that they still have each other.

This album is forever going to be cemented as a defining moment in BROCKHAMPTON’s discography. While it isn’t the lightning in a bottle that the SATURATION Trilogy was, this album is powerful thematically while still providing countless catchy hooks, impressive instrumentation, and some of the best tracks I’ve heard in a long time, specifically “SUGAR” which is just fantastic. I laid out the criteria for what defined a perfect score from me in a previous blog post, which basically states that a perfect score means that I wouldn’t change a single thing about the project. There are only some small tweaks I’d make to GINGER. It does exactly what it set out to do, and does so in glorious style. This is a must-listen, and my current album of the year (always subject to change).

Favorite Tracks: “SUGAR”, “DEARLY DEPARTED”, “VICTOR ROBERTS”

Least Favorite Track: “LOVE ME FOR LIFE”

SCORE: 8/10