Most Anticipated Albums of 2023

2022 was one of the best years of music in recent memory. The releases of incredible albums like Black Country, New Road’s Ants From Up There, Weyes Blood’s And In The Darkness, Hearts Aglow, and Big Thief’s Dragon New Warm Mountain I Believe In You, among many others, set a high standard for what music fans should expect in a given year. Despite a relatively uneventful January, 2023’s confirmed and likely upcoming releases promise another impressive year in all genres — including some that stand out as particularly intriguing and compelling.

February will bring the release of Gorillaz’ highly-anticipated Cracker Island, which appears to be a concept album packed full of inventive production and socially-conscious lyricism based on the project’s fantastic lead singles. The title track “Cracker Island (feat. Thundercat)” establishes the album’s themes over an addicting melody, “New Gold (feat. Tame Impala and Bootie Brown)” is a hypnotic super-hit in the making, and “Baby Queen” touts dreamlike production that supports its ethereal subject matter. I can’t wait to ingest this project from beginning to end, unpacking its commentary and enjoying the group’s unmatched signature sound along the way.

The only Phoebe Bridgers news more exciting than a solo announcement is a boygenius album announcement, which is exactly what fans received earlier this month. Expected on 03/31, the group’s debut studio album the record promises intricately composed singer-songwriter anthems, just like the sample tracks released by the group so far. “$20” features Julien Baker’s angsts, “Emily I’m Sorry” gives us a dose of Bridgers’ heartbreaking and ambient vocal talent, and “True Blue” offers Lucy Dacus’s earnest and heartfelt depiction of unwavering love. I fully expect this project to break my heart, put the pieces back together, and then destroy it yet again — I would expect and hope for no less from this indie supergroup.

On the other end of the sonic spectrum, it’s expected that eccentric and experimental rappers JPEGMAFIA and Danny Brown will both be releasing projects this year, and it’s possible based on social media hints that the two will be releasing a collaborative project, as well. Brown’s Quarananta is overdue, and promises to deliver more mindblowing production after his two most recent projects. JPEGMAFIA’s dedication to his craft, all the way down to his individualist approach to songwriting, continues to evolve. These are two of the most unique artists in the industry, and I hope they continue to push the boundaries of rap in 2023.

“Free Yourself”, a loose single after the release of her wonderfully disco 2020 album What’s Your Pleasure? teases the return of Jessie Ware, whose next project is toward the top of my most-anticipated list. Her 80s-inspired aesthetic is infectious, dance-inducing, and exactly what I’m looking and hoping for to brighten spirits this summer. While no project has been confirmed yet, I expect Ware’s next album to release later this year.

While there are many other albums and artists that I’d love to hear from in 2023, these are the projects I’m most looking forward to. Will Fiona Apple follow up her 2020 masterpiece Fetch The Bolt Cutters? Is Tyler, The Creator going to continue his pattern of releasing new projects every two years? Will Frank Ocean return from the void and bless us with another life-changing opus? Time will tell. What we do know now is that the future of music is bright, and while we’re still enjoying the best of playlists from this decade so far, new jams are right around the corner.

Album Review: Song Machine, Season One: Strange Timez - Gorillaz

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Since the dawn of the millennium, the electropop band Gorillaz has captivated audiences around the world all while setting the newest trends in the industry. Co-founder and lead singer David Albarn can largely be credited for a lot of the group’s successes, as his creativity and impressive lyricism have helped differentiate the brand and established its instantly-recognizable quality. Some of the band’s earlier albums are some of my favorites, such as Demon Days and Plastic Beach, which will forever hold permanent places in my library. Gorillaz’ two most recent releases, however, Humanz and The Now Now, left me disappointed in the direction the group was heading. Luckily, with the release of Song Machine: Season One: Strange Timez, my faith in the band has been completely restored as they now only recapture the magical sound which I loved, but used unconventional features and stellar production to mature their sound in ways I never thought possible. This is an excellent album.

The album’s opening and title track “Strange Timez (feat. Robert Smith)” is a perfect example of how an atypical feature can be used to perfectly match a band’s aesthetic in fresh, creative ways. The Cure’s lead singer and very recognizable voice lay the foundation for this project while criticizing aspects of the world we live in and getting things off to a great start. “The Valley of The Pagans (feat. Beck)” also uses its feature extraordinarily well, which surprised me, as I have found Beck’s most recent releases and features somewhat lackluster, but not here. “The Last Chord (feat. Leee John)” is a less futuristic cut that still impressed me and reminded me very much of the band’s early work. “Pac-Man (feat. ScHoolboy Q)” is one of my favorite songs from the Gorillaz discography, which says a lot considering that the band gave us “Feel Good Inc.” and “Clint Eastwood.” This track effortlessly checks all of the boxes for the quintessential Gorillaz track, such as 2-D’s whispery vocals, a clean instrumental, and a grimy rap feature with more introspection than expected. So far, so good.

“Chalk Tablet Towers (feat. St Vincent)” is another solid track, but I find that it lacks some of the structural complexity that makes the rest of the songs on this album so compelling. It’s a bit of a one-note that doesn’t take away or add much from the rest of the project. “The Pink Phantom (feat. Elton John and 6LACK)” is a wonderfully produced track that delivers more of an emotional and substantive punch. This combination of features perplexed me at first, but if it were to work (which it absolutely does), it would be on a Gorillaz album. The contrast provided between Elton John’s whimsical and dramatic vocals and 6LACK’s autotuned rap delivery just works on this song. “Aries (feat. Peter Hook and Georgia)” understandably borrows heavily from New Order’s aesthetic, which I don’t have a problem with, since the feature is used so appropriately in the tracklisting. “Friday 13th (feat. Octavian)” is another calm, less futuristic cut that uses its feature well. Heading into its closing tracks, this album hardly misses a beat.

“Dead Butterflies (feat. Kano and Roxani Arias)” is one of 2-D’s best vocal performances on the album, using introspective lyricism. The production here is very hip-hop-inspired with competing snares and kickdrums which contrast nicely with a gentler vocal delivery. “Désolé (feat. Fatoumata Diawara)” is another upbeat highlight with smooth guitar backing that gets stuck in my head very easily. The track’s closing minute reaches a beautiful crescendo of strings and vocals that set up the final track beautifully. “Momentary Bliss (feat. slowthai & Slaves)” features a loud, punk vocal performance from Slowthai who always makes his presence known on tracks. This is the perfect closing track for such a concise, well put together album.

Besides just a couple of dull moments in the tracklisting, this newest Gorillaz album is sharp, to the point, and so catchy it’s ridiculous. I’m so glad that Damon Albarn has returned to the sound I’ve grown so fond of from the band over the years. This is one of the group’s best projects in a long, long time, and I can’t wait to see where they go from here. In the meantime, though, it’s Song Machine, Season One: Strange Timez, one of my favorite albums of the year, on repeat.

Favorite tracks: “Strange Timez (feat. Robert Smith)”, “The Valley of The Pagans (feat. Beck”), “The Lost Chord (feat. Leee John)”, “Pac-Man (feat. ScHoolboy Q)”, “The Pink Phantom (feat. Elton John and 6LACK)”, “Aries (feat. Peter Hook & Georgia)”, “Dead Butterflies (feat. Kano & Roxani Arias)”, “Désolé (feat. Fatoumata Diawara)”, “Momentary Bliss (feat. slowthai & Slaves)

SCORE: 9/10