Top Albums of 2023

Another fantastic year of music is now behind us. From rising stars turning heads to established stars making triumphant returns, fans of most genres were rewarded with compelling and impressive releases and projects in 2023. Although I listened to many, many albums in the past year, there are some that I find myself returning to the most and will continue to for years to come. Before diving into what made my top albums of 2023 so special to me, I’d like to acknowledge some honorable mentions that just missed the cut. These include: Quaranta - Danny Brown, the record - boygenius, This Is Why - Paramore, Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) - Yves Tumor, and O Monolith - Squid. All of these were fantastic albums, but there were too many more impressive projects to let them be immortalized in my best-of list. Without further ado, here are my top albums of 2023.

10. Haunted Mountain - Buck Meek

When a member of indie supergroup Big Thief announces a solo project, fans are in for a treat. Guitarist and backup vocalist for the group Buck Meek released his third album in 2023 to high critical acclaim. This alt-country, indie folk project has an alluring and welcoming tone throughout, channeling memories of simpler times and recounting the joys of getting safely lost in the world and in life. This project’s title track was one of my most played of last year, and songs like “Secret Side” or “Lullabies” are too heartfelt to be forgotten.

9. GUTS - Olivia Rodrigo

Olivia Rodrigo knocked her sophomore follow-up out of the park with GUTS in 2023. The release of her debut studio album SOUR set an extremely high bar for such a young artist, but this release put any doubt to rest with its angsty, punk-inspired pop often outshining many of the tracks from the project that put her on the map. From the lead single ballad “vampire” to earworms like “bad idea right?” and “all-american bitch”, this album knows exactly what it wants to do, and it does it well. I’m excitedly looking forward to the GUTS World Tour this Summer.

8. Weathervanes - Jason Isbell

Jason Isbell’s ability to write and sing from the heart is unmatched in his genre. Increasingly poetic and sophisticatedly beautiful, his albums continue to impress — particularly last year’s Weathervanes — one of his best in years. These are some of the most haunting and devastating songs in Isbell’s catalog. “Cast Iron Skillet” and “Save The World” are the two I return to most often, but the entire project makes for an excellent, albeit challenging listen.

7. Did you know that there’s a tunnel under Ocean Blvd - Lana Del Rey

Lana Del Rey’s continuous maturation as a singer and songwriter is increasingly impressive with every album that she releases. Ocean Blvd is likely her most evolved, elegant, and whimsical project yet, with almost every theme and sonic idea fleshed out and realized to its full potential. Each track develops naturally yet cautiously, eventually blooming into beautiful and memorable moments of their own. While some of the interludes seem superfluous to me, the core songs on this project are nearly flawless. “A&W” is one of my favorite songs of the entire year.

6. Desire, I Want to Turn Into You - Caroline Polachek

Rising art pop star Caroline Polachek flew under my radar before the release of Desire, I Want to Turn Into You. While I recognized her voice and had heard songs here and there from earlier projects, I had never committed to listening to an entire album of hers. I can now say that I was far overdue to give her the attention she deserves. Desire, I Want to Turn Into You is one of the greatest achievements in pop music in years. Each track is lush, ethereal, and surprisingly lyrically dense. “Welcome To My Island” is one of the best openers of the year, and the tropical aesthetics of “Sunset” and “Blood and Butter” keep me coming back for more.

5. Zach Bryan - Zach Bryan

Another rising star that I was only made aware of last year, Zach Bryan released one of the best country albums of the decade in 2023 with this self-titled powerhouse. Channeling the likes of Dylan, Cash, and Springsteen, Bryan’s nods to the genre’s roots are tasteful without registering as derivative in any way. The instrumentation is more Americana than it is Country Pop, which is a sound that I much prefer. This project has essentially been on repeat for me since its release, but “East Side of Sorrow” and “El Dorado” are the two songs I return to most often.

4. Lahai - Sampha

One of the greatest voices in R&B, Sampha, made his return in 2023 with the release of his newest album Lahai. Six years after his debut, I was very interested to see where Sampha would take his sound next, and needless to say, I was thoroughly impressed with how advanced his sound has become in such a short time. This atmospheric, hypnotic, and spiritual project has an incredible amount of complexity to its production, culminating in one beautiful song after another. “Spirit 2.0”, “Suspended”, and “Only” are some of my favorites here, but you can’t go wrong with any cut from this project.

3. That! Feels Good! - Jessie Ware

I sincerely believed that Jessie Ware would have trouble following up her fantastic 2020 album What’s Your Pleasure? after it set such a high bar for disco-inspired bangers. I was extremely delighted to be proven wrong by That! Feels Good!, which elevates the Dance Pop aesthetics she established to even greater heights. Playful, energetic, and uplifting, That! Feels Good! fires on all cylinders to get its listeners on their feet. “Free Yourself”, “Pearls”, and “Hello Love” are fantastic tracks, but “Begin Again” with its crescendoing finale is my favorite song that Ware has released yet.

2. SCARING THE HOES - JPEGMAFIA & Danny Brown

In a rather sparse year for Rap and Hip-Hop, JPEGMAFIA and Danny Brown stood out as the trendsetting gold standard of the evolution of a genre that has somewhat stalled in the mainstream. Experimental, brash, and aggressive, SCARING THE HOES is both self-aware and referential with its humor but direct with its messaging. This project will likely be looked back on as an inflection point that allowed chaotic, eclectic underground Hip-Hop as a whole to finally find major mainstream success. “Lean Beef Patty”, “Burfict!”, and “Kingdom Hearts Key (ft. redveil)” are some of my favorite tracks on this album. This could’ve easily been my favorite album of the year if it weren’t for the triumphant return of…

1. Javelin - Sufjan Stevens

In August of 2023, Sufjan Stevens announced that his 10th studio album Javelin would be releasing in October. Immediately deemed an “indie emergency” online, the anticipation for this album was off the charts, as Stevens has established himself as an indie darling with now classic projects like Carrie & Lowell and Illinois. I could have never prepared, though, for the emotional reckoning that Javelin would cause. After the project’s release, Stevens revealed that in many ways, it was an ode and memorial to his partner who passed away. This re-contextualizes the entire project as one of loss, sorrow, and melancholy, but ultimately reminds its listeners to hold onto what they love dearly and continue to search for beauty in the darkness. Some of the best songwriting in the decade is found on the project, with heartbreaking ballads and cutting lyricism throughout. This incredible album spoke to me on a personal level, and was an easy pick as my favorite of 2023.

I absolutely love music. I always have. The albums that make my favorites lists are just some of the many projects that I almost always have in my ears. Re-visiting these projects transports me to where I was in life at the time of their release and my discovery of them. Every artist on this list is immensely talented, and I’m grateful for the art they give to the world. I look forward to what music is to come in 2024, but am more than happy to continue listening to these projects in the meantime. They are all so, so special.

Top Albums of 2022

After another year of reviews, active listening, and a plethora of new releases, it’s finally time to yet again recap the best albums of the year. 2022 was one of the most prolific and impressive years of music in recent memory with great albums releasing across all genres, making it incredibly difficult for me to narrow my selection down to only 10 projects. After careful consideration, I’m glad to say my list is complete. Before we jump right into the long-awaited selections, I need to shout out some fantastic records that didn’t quite make this year’s cut, but are absolute must-listens.

Here are my honorable mentions for 2022: Cheat Codes is Danger Mouse and Black Thought at their most cutting and nuanced, providing insightful bars over scrumptious instrumentals. (SCORE: 8/10.) Most recently, SZA’s triumphant return sophomore album SOS showcases her abilities as both a rapper and R&B superstar, even if the project suffers slightly due to its overextended tracklist (SCORE: 8/10.) Pusha T’s It’s Almost Dry serves as a statement to the rest of the hip-hop community that Pusha doesn’t mince words, but also that Pharrell and Ye’s production are still phenomenal (SCORE: 8/10.) The Weeknd’s Dawn FM demonstrates Abel’s willingness to evolve and grow, leaning more into 80s synth ballad aesthetics than ever before (SCORE: 8/10.) Father John Misty’s Chloë and the Next 20th Century is a theatrical and classy pastiche that both criticizes and praises the genre it pulls its inspiration from (SCORE: 8/10.) Conway the Machine’s God Don’t Make Mistakes features some of the most revealing and vulnerable lyricism that rap has seen in a very long time (SCORE: 8/10). Perfume Genius’s Ugly Season uses experimentation to its advantage over its entire tracklist, pairing perfectly with the dance piece that it’s meant to accompany (SCORE: 8/10.) Finally, Natalia Lafourcade proves yet again that her balladry and poetic lyricism are unmatched on the gorgeous De Todas las Flores (SCORE: 8/10.) I loved every single one of these projects, but not enough to call them one of my 10 favorite albums of year - a prestigious title belonging only to the best of the best.

10. Once Twice Melody - Beach House

Once Twice Melody is just as much of a feeling as it is an album. Its palpable, gleaming instrumentation and panoramic vocal layering encapsulate its listener into a warm, soothing array of tracks. Surprisingly, the album remains cohesive without overstaying its welcome with a runtime of almost 90 minutes. Beach House’s aesthetic is well-established at this point, and Once Twice Melody doesn’t challenge that status quo. Instead, their sonic universe is expanded over 18 dazzling songs, with “Pink Funeral” and “ESP” serving as standouts for me. (SCORE: 8/10)

9. Melt My Eyez See Your Future - Denzel Curry

Denzel Curry has proven time and time again that he has what it takes to keep up with the best rappers in the world. On Melt My Eyes See Your Future, though, Curry proves for the first time that he’s capable of true self-reflection. A cinematic and cohesive experience, this album utilizes its instrumentals, features, and Curry’s bars excellently to respond to a world in strife while tastefully pulling inspiration from other versed creators and artists. “Walkin” and “Ain’t No Way (Feat. 6LACK, Rico Nasty, J.I.D, Jasiah, Kitty Ca$h)” are the two songs I return to most often on this inventive and boundary-pushing project. (SCORE: 8/10)

8. I Didn’t Mean To Haunt You - Quadeca

I was initially very surprised by the lead singles that led up to the release of I Didn’t Mean To Haunt You. While Quadeca had previously released promising tracks like his viral and acclaimed “Sisyphus”, his foundations as a YouTube rapper clouded my judgement of his artistic validity. Any of those doubts were quickly extinguished with the release of his newest album, which is told from the perspective of a ghost who is grieving those he has left behind. The harrowing beauty, haunting creativity, and heartbreaking lyricism and instrumentation on this project are entirely unique and unlike anything I’ve heard before. “Born Yesterday” and “Knots” are the two tracks I return to most often, but this entire project is an experience that will leave any listener in contemplation. (SCORE: 8/10)

7. NO THANK YOU - Little Simz

Firstly, we need to acknowledge that Little Simz has made all music publications re-think when they schedule and release their end-of-year lists. The follow-up to last year’s stunning Sometimes I Might Be Introvert, NO THANK YOU comes just over a year after Simz’ previous release. Its lightning quick rollout and 10-song tracklisting were promising, but part of me expected a project of SIMBI B-sides. I couldn’t have been more wrong. NO THANK YOU is just as well-thought-out of a project as anything Simz has released so far, albeit not as conceptually thematic. Instead, stripped back but catchy instrumentals allow Simz to deliver some of the most concise, confident, and genius bars I’ve heard this year. NO THANK YOU feels like both a victory lap and a “fuck you” to anyone has doubted her unparalleled skill along the way to fame. The entire project is a must-listen, but so far my favorite tracks are “Gorilla”, “Heart On Fire”, and “Broken”. (SCORE: 9/10)

6. Hellfire - black midi

English rock trio black midi are an indescribable bunch of dementedly talented, shockingly young artists. Lead singer Geordie Greep is the prime example of this youthful spirit, confidently delivering impressive vocal performances throughout the group’s latest album Hellfire. This album isn’t just thematically chaotic or random, but instead has been carefully crafted and constructed to transport its listener via its many ornate and overwhelming soundscapes. The technical and musical prowess needed to create a track like “Sugar/Tzu” is unmatched. The inventiveness necessary to come up with a track as demonic as “Welcome To Hell” is awe-inspiring. black midi is nothing if not different, but this unconventionality is exactly what makes their releases some of the most enticing in all of music right now. (SCORE: 9/10)

5. The Forever Story - JID

Although J. Cole has released some classic hip-hop albums, it very well may prove true that his final legacy will be his innate ability to find and elevate undiscovered talent. Dreamville’s roster is quickly becoming one of the most skilled labels in the industry, and that is in large part due to the meteoric rise of Atlanta’s own JID. The Forever Story is one of the most technically impressive rap performance albums in the past decade, with each of JID’s verses quickly becoming rainbows when his rhyme schemes are highlighted. Full of both bangers and introspective cuts, The Forever Story is the perfect mix of entertaining and insightful. Mark my words: JID will one day be a household name, and for good reason. (SCORE: 9/10)

4. Mr. Morale & The Big Steppers - Kendrick Lamar

Hip-hop’s biggest and brightest release of the year belongs to Kendrick Lamar’s Mr. Morale & The Big Steppers. The Pulitzer-prize-winning artist made his long-awaited return to music with this project’s release and its attached “The Heart Part 5” music video. Like all of his projects up until this point, Kendrick’s newest album was an artistic left hook worthy of endless discussion and dissection. Ultimately, it’s an album dedicated to addressing and tackling trauma both recent and intergenerational. A chronological narrative and demonstrates the work needed to grow, evolve, and heal, Kendrick is doing the monumental task of destigmatizing mental health awareness in his community. Sonically, this album is often just as ear-catching and immersive as Kendrick’s best works, with “Father Time (feat. Sampha)” and “Savior” proving the most compelling selections months after this incredible project’s release. (SCORE: 9/10)

3. Dragon New Warm Mountain I Believe In You - Big Thief

That title is still a mouth-full. Big Thief’s Dragon New Warm Mountain I Believe In You was the most surprising album that released in 2022 for me. 20 songs and 80 minutes long, this indie folk epic seems destined to eventually become stale, but instead continually reinvents itself and offers distinct storytelling, unburdened instrumentation, and ambitious beauty. Its sprawling tracklisting spans from humorous and joyful to reflective and sorrowful, laced with humorous quips and insightful reflections. Adrianne Lanker’s vocal delivery is hypnotic, and the band’s ability to cover almost every topic under the sun isn’t lost on me. (SCORE: 9/10)

2. And In The Darkness, Hearts Aglow - Weyes Blood

The second release of a confirmed trilogy and follow-up to Titanic Rising, Weyes Blood’s And In The Darkness, Hearts Aglow is everything I hoped it would be and more. Frontwoman Natalie Mering is quickly becoming a baroque chamber-pop icon, with an instantly-recognizable voice and exquisite, poetic lyricism. Titanic Rising was incredibly impactful at the time of its release because it seemed urgent, pressing, and a call-to-action to combat a foreboding future. That then hypothetical is now being realized on And In The Darkness, Hearts Aglow, which finds Mering and the listener picking up the pieces of the past three years. Angelic, swelling instrumentation is found on every track, no more so than on “Children of the Empire” and “God Turn Me Into a Flower”, the two standouts among many great songs found here. In any other year, this album would likely take the #1 spot on my list, and I can’t wait to see what Mering has in store for us with future releases. (SCORE: 10/10)

1. Ants From Up There - Black Country, New Road

When looking back at my top albums from each year so far this decade, I’ve noticed a pattern. The best of the best has a transcendent quality that makes each of these projects larger than life, greater than the sum of their parts, and elevated by the circumstances that surrounded their releases. For Fiona Apple’s Fetch The Bolt Cutters in 2020, it was the brutishly honest and raw, pent-up nature of her sonics in response to the beginning of the COVID-19 pandemic that made it such a special and memorable listen. For Floating Points, Pharoah Sanders, and the London Symphony Orchesta’s 2021 album Promises, it was the timeless motifs, ethereal quality, and realization that a collaboration of this magnitude was a once-in-a-lifetime opportunity, which was confirmed this year after Pharoah Sanders’ death. Ants From Up There is a perfect album not only because every note is intentional, powerful, and momentous, but because we will never hear the band who made it in the same form ever again. Just days before the project’s release, the band’s lead vocalist Isaac Wood announced his departure from the group, citing mental health as a primary factor that contributed to his difficult decision. With this in mind, many of the album’s themes garnered a new gravity that laced the triumph of the project with an overwhelming sadness. “Concorde” and “Basketball Shoes” are my favorite tracks here, if I had to choose, and demonstrate these themes perfectly. Simply put, Ants From Up There epitomizes bittersweetness. This album reminds us that we grow apart, that life is complicated, and beauty is often confined to the inherently finite nature of our existence. This is not only my favorite album of 2022, but my favorite album of this decade so far, and it isn’t close. (SCORE: 10/10)

I used to think it was silly when I called music one of my hobbies. Everyone enjoys listening to music - it’s a part of the human experience. But making that experience active instead of passive is one of the most invigorating and fulfilling decisions you can make as a listener. Great art wants to be understood. It wants to be analyzed, considered, discussed, and shared with others who will give it that same love and attention it deserves. As an active listener, 2022 has been one of the most incredible years of music in my life, and I’ve looked forward to sharing my best-of list all year. I hope you’ve had the chance to enjoy these projects, or whichever projects have spoken to you, all throughout 2022, and let’s plan to do the same in 2023.

My Favorite Albums Of 2020 So Far

As we near the halfway point of what has been the longest year in recent memory, I’ve started reflecting on some of the great music which has been released so far in 2020. The albums featured here have all been added to my permanent library, and have been in heavy rotation, serving as great escapes from the chaos which has surrounded us recently. I’m sure more fantastic projects will be released by the end of the year, and that the end of year list will look very different, but regardless, these are my favorite albums of 2020 so far.

5. Reunions - Jason Isbell and the 400 Unit

My review of this album discussed both the highest and lowest points of a good Americana album in-depth. Since the project’s release last month, this project has aged fairly well, but the criticisms I levied against Isbell’s newest offering still stand. Some of the songs featured here are among Isbell’s best, but the album’s tone and pacing aren’t as cohesive as some of his previous projects. That being said, this is still a good and enjoyable listen, and the song “Overseas” still amazes me.

4. how i’m feeling now - Charli XCX

The fact that this album was made entirely in quarantine is still astounding. While not as polished or vibrant as her 2019 magnum opus Charli, Charli XCX was still able to put together a thoroughly impressive collection of tracks. The production is incredible on this project, and many of the songs here are songs I listen to frequently. Great music which aptly communicates the feelings associated with the COVID-19 pandemic.

3. Song For Our Daughter - Laura Marling

This is the only project on my mid-year list which didn’t get its own in-depth review on my blog. March and April were slightly tumultuous times, and unfortunately, this project got lost in the shuffle. Since then, though, I’ve been obsessed with this album. Laura Marling channels the sounds and emotions of Joni Mitchell’s album Blue, all while offering new perspectives and techniques which differentiate this beautiful album from others in an otherwise oversaturated singer-songwriter genre. This album isn’t perfect, but it is great, and for that reason it earns a score of 8/10 and a place on this list.

2. Fetch The Bolt Cutters - Fiona Apple

This rugged, raw, and relentless album still ruminates in my mind from the first listen I gave it. The subsequent listens have allowed me to further appreciate the nuances and hidden gems this project has to offer, which layer upon one another beautifully. Released not too long into the coronavirus pandemic, this album came at the perfect time, allowing us all to relate to the sentiment “I’ve been in here too long”. I still find that this album should’ve ended at its jaw-dropping climax, and that the final two tracks seem unnecessary, but overall, Fiona Apple succeeded yet again with this great album.

1. RTJ4 - Run The Jewels

Great music not only achieves the fundamental qualities which accompany a pleasant listening experience, but it also meets a moment’s needs, which is exactly what RTJ4 did upon its release. The national emergency we’re currently facing and have been facing for centuries has finally received a spotlight, but change is just beginning in this country. The murder of innocent black Americans at the hands of police is the most vile and repugnant example of the discrimination black Americans face on a systemic and regular basis. This project reminds us that black lives always have and always will matter. El-P and Killer Mike’s production, lyricism, and truth-telling on this album are unparalleled, and while there are a couple slow moments which prevent me from calling this project perfect, it’s damn close, and it is my favorite album of 2020 so far because of that.

Which albums are your favorites of 2020 so far? Which projects are you anticipating before the year ends? Make sure to let me know, and enjoy listening to these great projects through these difficult times. Thanks for reading.