Album Review: UGLY - slowthai

UGLY is the newest LP from UK rapper, singer, and songwriter Tyron Frampton, known more commonly by his stage name ‘slowthai’. His third full-length album to date, UGLY demonstrates clear artistic evolution since the releases of his debut Nothing Great About Britain and sophomore TYRON. While both compelling and impressive releases in their own rights, these projects tended to lack the tangible and unfiltered authenticity that UGLY brings to the table so well. slowthai portrays his emotions and thoughts in a raw and rugged manner, inviting his listeners along the dark path he finds himself on throughout this project’s narrative, which is unsettling from the start.

At just over 38 minutes in length, this project has no time to waste, and immediately sets the tone for what’s to come with the opening track “Yum”. A deep dive into his psyche, slowthai depicts his descent into an addiction-fueled mania on this track, while also crying out for help with lines like “I’ve been lacking motivation / I need an intervention.” The song also features more live instrumentation that his previous works, which was a welcomed addition sonically for me. “Selfish” is another distortion-heavy track that backs slowthai’s complicated relationship with selfishness — something that he uses to better himself, but also something he doesn’t want others to associate with his character. “Sooner” is a milder track compared to the two that precede it, with punky group vocals that differ from the intimately intense aesthetic that had been established up until this point in the tracklisting.

“Feel Good” is another example of the cognitive dissonance that slowthai’s experiencing on this project, with lines like “I feel so happy that it hurts deep in my sides / Yeah, it feels so good when you feel alive,” which is direct contrast to the sentiments of tracks like “Yum” before it. This track serves as an oasis of positivity from those surrounding it, but knowing that it was written as more of a mantra to exit a negative headspace adds a dark irony to the lyrics on this song. “Never Again” is a highlight for me — an impressive narrative that tells the story of returning home to rediscover an unrequited love that couldn’t be saved before tragedy struck. The bass and drum-backed instrumentation supports his rapping perfectly here. “Fuck It Puppet” is more of an interlude that features more of slowthai’s older sonics, and the title term to describe intrusive thoughts is just wonderful.

“HAPPY” is probably the most important song on the album, featuring the important message that nothing matters except for your happiness in life. “I would give anything for a smile” is an immediately-memorable line that stuck with me. The title track “UGLY” has various impressive meanings, primarily serving as an acronym for “You’ve got to love yourself,” especially when the world is actually ugly. slowthai has stated that this song was written at the beginning of the Russian invasion of Ukraine, and is meant to be a reminder that darkness will always exist in the world, but what we do despite that darkness is what matters. “Falling” is the understanding that this effort is sometimes done in vain, because sometimes nihilism and dissociation is inevitable in one’s life, but that that’s okay too, within reason.

“Wotz Funny” discusses class conflict, exploring the difference in perspectives between the haves and the have-nots in society. This is a unique track that I’d love to hear slowthai describe more in-depth, as not all of the narrative elements connect with me on a personal level. But maybe that’s the point of the track in the first place. “Tourniquet” is probably my favorite track sonically on the album, with an ambient, droning, and ethereal quality that I tend to gravitate toward in music. The metaphor of this track is that sometimes you need to burn bridges or amputate parts of your life to escape vicious loops and cycles and to escape the version of you that you’ve outgrown. slowthai’s unfiltered and visceral delivery throughout the track is nothing short of mesmerizing. “25% Club” is an excellent closer that puts a bow on this revealing and self-exploratory project, where slowthai challenges the idea that externality will lead to us feeling complete. Feelings of being fulfilled, if possible at all, will come from within, not from the outside world — and your happiness is your responsibility. These conclusions are profound, thought-provoking, and discovered through the emotionally tormenting work that slowthai did to create this project.

Creative evolution is one of the most exciting and compelling characters that I look for in upcoming musicians. Since his debut record, it was apparent that slowthai has what it takes to create and release quality albums. But UGLY has proven that he’s willing to take off the mask and grant his audience a look into his unfiltered, genuine, and endlessly self-improving psyche, no matter how uncomfortable that may be at times. That perspective and vulnerability is what I enjoyed most about this fantastic project from slowthai, who is young enough that there’s no telling where he goes from here artistically.

Favorite tracks: “Yum”, “Selfish”, “Never Again”, “HAPPY”, “UGLY”, “Falling”, “Tourniquet”, “25% Club”

SCORE: 7/10

Album Review: TYRON - slowthai

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Before the COVID-19 pandemic, I was able to see rap group BROCKHAMPTON in concert at the Coca-Cola Roxy in Atlanta. After waiting in line for merch, my girlfriend and I made our way to our seats. I was pleasantly surprised to find out that slow that was opening for that show, which wasn’t long after the release of his debut studio album Nothing Great About Britain. Abrasive, aggressive, and full of energy, slowthai’s set was extremely memorable. It was so intense, in fact, that multiple audience members passed out in the middle of their mosh pits. I largely associated slowthai with this set from then on and assumed his music was mostly surface-level bangers. That is precisely why his sophomore album TYRON appeals to me so much - it’s a split record with half intense songs and half introspective cuts making up the tracklisting. Deeper than expected, this record impressed me on many levels.

Just because slowthai’s hard-hitting and energetic songs aren’t that deep doesn’t mean that they don’t chaotically slap. The record’s opener “45 SMOKE” facilitates slowthai’s confident grime delivery and lyricism perfectly. The bass kicks throughout and the only downside is slowthai’s different delivery toward the end of the track. “Cancelled (feat. Skepta)” is the epitome of grimy British rap in action, as the two essential declare that they are uncancellable. The production is bouncy and catchy here, as has become standard on slowthai’s records. “MAZZA (feat. A$AP Rocky)” is one of my favorite tracks on the record, as it utilizes its feature fantastically. This track is as mad and insane as its title suggests.

“VEX” is a shorter transitional track, but slowthai packs in as many bars as he can over the concise and bouncy beat behind him. “WOT” offers a luxurious and floor-shaking bass for its 48-second runtime, and mainly just leaves me wanting more evolution. It does transition well into “DEAD”, though, which features another killer beat and more introspective lyrics from slowthai as he begins to shift the album’s tone closer to the record’s second half. This is especially true with the last track on the A-side, “PLAY WITH FIRE”, which takes a turn to a softer and more mellow atmosphere. slowthai begins discussing deeper concepts here, which is refreshing to hear from him.

“i tried” is the first track on the second half of the album’s 14 song tracklisting, and we can immediately recognize the change in tone. A decadent and sentimental instrumental allows slowthai to explore more artistic and reflective bars, like “If hell’s meant for sinning, heaven’s never been for me.” Another indicator of the tonal change is the shift to lowercase song titles - a subtle but creative touch. “Focus” uses a very unique beat with ascending vocal backing, and again, slowthai gets more introspective than we’ve ever heard him. The beat evolves into something bouncier, but still subdued and calmer than typical.

“terms (feat. Dominic Fike & Denzel Curry)” is another highlight on this project, although I wish Denzel Curry was more involved than the pitched vocal before slowthai’s verses. slowthai discusses his upbringing and mindset, and Dominic Fike’s chorus pairs with the rest of the track perfectly. “push (feat. Deb Never)” introduced me to the featured artist, whose beautiful vocal opening really caught me off guard. The acoustic instrumental is minimal and gentle, adding a level of complexity to slowthai’s bars, which again are about his mindset and relationships with others.

“nhs” sounds very much like the BROCKHAMPTON songs that I listened to live after slowthai opened for them in 2019. This is a fairly happy-sounding song but is a little bleaker upon further analysis in that it basically states we can’t have happiness without sadness. This is a more mature concept than I expected slowthai to tackle on this record, and while the execution isn’t perfect, I still enjoy this track very much. I was excited to see James Black on “feel away (feat. James Blake & Mount Kimbie)”, and was not disappointed, as Blake delivered as per usual. Again, this track is deeper than it sounds on its surface, but in the best way possible. “adhd” reflects nicely on the album’s themes, and allows for slowthai to declare his new-found confidence and attitude toward life. It ends abruptly, but I think that was quite intentional. A solid closer to a great album.

It’s incredibly satisfying to watch artists mature sonically and lyrically. slowthai has a bright future ahead of him if he allows both sides of his unexpectedly complex personality to shine simultaneously. I saw slowthai open for BROCKHAMPTON accidentally, and now I’d pay to see his show. I can’t wait to see where he goes from here, and there’s no reason to think it’s anywhere but up. I highly recommend checking this record out.

Favorite tracks: “45 SMOKE”, “CANCELLED (feat. Skepta)”, “MAZZA (feat. A$AP Rocky)”, “PLAY WITH FIRE”, “i tried”, “terms (feat. Dominic Fike & Denzel Curry)”, “push (feat. Deb Never)”, “nhs”, “feel away (feat. James Blake & Mount Kimbie)”, “adhd”

SCORE: 7/10