New Music Round-Up (Father John Misty, Drake, And More)

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As you know by now, I enjoy writing about music very much. Whether I’m reviewing a new release, discussing my favorite albums of all-time, or talking about which artists I think you should look out for moving forward, music has become one of the central topics for this blog. In the past weeks, my schedule has been turned upside down as I’ve been packing for and moving into my apartment as my senior year of college nears. During this time, there have been some noteworthy releases which I’ve wanted to comment on but just haven’t had the time. Until today, that is. Let’s talk about some of the best and worst singles which have released recently.

Father John Misty - “To S.” and “To. R”

Since the release of God’s Favorite Customer in 2018, Josh Tillman’s fans have been desperately awaiting a new release from their favorite cynical indie folk artist. His live collection Off-Key in Hamburg and his covers EP Anthem +3 held me over slightly, but I was still looking forward to original work from Tillman. To contribute to the Sub Pop Singles Club, Tillman released two mysteriously titled singles which live up to his sound which we’ve come to know and love. “To S.” offers an empathetic message backed by a gentle string arrangement, and “To R.” mirrors this track in many ways. The lyrics on this track are slightly more ambiguous than is to my liking, but overall, these are satisfactory tracks from Mr. Tillman which will continue to hold me over until his next LP, which is hopefully coming sooner rather than later. SCORE: 7/10

Drake - “Laugh Now, Cry Later (feat. Lil Durk)”

It’s hard not to like Drake. While I’ve been very critical of his few most recent full-length album releases, it’s almost impossible to imagine the hip-hop and pop genres without Drake’s presence. Known for being able to release hit after hit, Drake has ascended to a level of popularity rivaled by very few in today’s musical scene, and it feels like he’s starting to grasp that fact. The accompanying music video for this single made me laugh out loud when I first watched it. Drake seems fully aware of his meme status, providing a solid single riddled with parody-like moments throughout. The Lil Durk feature here is brief and forgettable, but overall, I just have to respect Drake’s ability to continue his lore as an artist. SCORE: 5/10

Cardi B. & Megan Thee Stallion - “WAP”

When Nicki Minaj released her single and music video “Anaconda” in 2014, the internet went wild. While many of Minaj’s fans applauded her confidence and female empowerment perspective, others condemned her behavior despite their inability to criticize male artists who discuss the same subject matter regularly with little backlash. Unfortunately, six years later in 2020, not much has changed, and the reactionary gatekeepers of the internet are just as present and vocal as they were years ago. Here’s the deal: “WAP” is a fantastic track. Despite the fact that its clean version is still likely too dirty to be played on the radio, the unabashed feminist confidence from both Cardi B. and Megan Thee Stallion is simply inspiring. The track is a fun and memorable listen, and the music video released alongside this smash hit only emphasizes the statement of empowerment it makes. Great stuff. SCORE: 8/10

Billie Eilish - “my future”

It’s hard to believe that Billie Eilish nearly swept the Grammys following her 2019 release WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? earlier this year. The singles she has released since then have been massive hits which I’ve enjoyed thoroughly, particularly “everything i wanted”. On “my future”, we find Eilish singing from a more positive and optimistic perspective than ever before. After the reflections on such dark topics from her first album, its nice to hear Eilish sing from a better place over such an uplifting and catchy single. To add to this song, Billie’s performance at the DNC earlier this week was fantastic. Can’t help but continue to fanboy over Billie Eilish. SCORE: 7/10

Miley Cyrus - “Midnight Sky”

It’s unfortunate that Miley Cyrus has become such a polarizing figure and artist, particularly on the internet. While I haven’t enjoyed much of the music she’s released recently, I respect her artistic vision and willingness to discuss sometimes taboo topics so openly and honestly. Luckily, this 80s throwback “Midnight Sky” instills confidence in me that Cyrus will continue to develop personally and artistically, and that a new era could be around the corner for her. This is a solid single with huge radio potential and a killer self-directed music video, and I highly suggest you check it out. SCORE: 7/10

So there we have it: some of the biggest singles and tracks released in the past weeks have finally been discussed here on the blog. I’m hoping for new album releases soon, as I’m finally settling into my apartment, which includes my new speakers and record player which will be used regularly. Which of these tracks is your favorite? What kind of music have you been listening to recently? Let me know. Thanks for reading.

Albums Which Have Earned A Perfect Score (10/10) From Me

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Music has become one of the central topics I discuss on this blog. Whether I’m reviewing a new album, making a ranking list of projects which have come out in a given year, or discussing how my taste in music has changed over time, I’ve found that I have a lot to say when discussing music. In one of this blog’s first posts, I outlined my rubric and criteria for scoring albums and giving scores out of ten. After writing over twenty album reviews on this blog, none of the new releases in recent months have received a perfect score of 10/10. I give this score out sparingly and infrequently, reserving it for only the most influential, masterful, and flawless records which also have personal significance to me. While Charli, IGOR, RTJ4, and The Highwomen have all come close on this blog with scores of 9/10, none have earned the highly coveted perfect score. In this post, I’m going to be discussing a few albums which I consider prime examples of albums worthy of such critical acclaim.

  • My Beautiful Dark Twisted Fantasy - Kanye West

This is an album which I grew up listening to on repeat throughout my teenage years. It’s one of the main reasons Kanye West is the artist I’ve listened to most all-time on Spotify. This album defines my favorite Kanye West era: Braggadocious, socially conscious, artistic, and self-reflective. Each beat is luxurious and grandiose, establishing the perfect backdrop for Mr. West and all of the accompanying features to advance the album’s enticing narrative. I think every song belongs exactly where it finds itself on the track-listing, and there is nothing I would change about this project. Tracks like “POWER”, “All Of The Lights”, and “Runaway” were classics the moment they released. The multimodality created by Kanye West’s short film Runaway adds even more to this project’s lore, and because of that, it earns a perfect score.

  • The Money Store - Death Grips

This isn’t an album I recommend to everyone I meet. Death Grips’ The Money Store is one of the most influential experimental hip-hop albums of all-time, but it’s not for everyone. Its production was far beyond its years upon its release in 2012, and since then, it has proven to be a guideline for industrial and electronic hip-hop releases for a wide range of artists. Tracks like “Get Got”, “I’ve Seen Footage”, and “Hacker” are just as good now as when I was introduced to them years ago, and the chaotic energy this album presents is unparalleled. There’s nothing I could ever change about this album.

  • Rumours - Fleetwood Mac

This may be the least controversial selection on this list. It’s fairly widely established that Rumours is one of the greatest albums of all-time by any metric. The circumstances in which it was written and recorded were both peculiar and necessary for the creative genius that went into crafting an album consisting of classic after classic. From “Dreams” and “Don’t Stop” to “Go Your Own Way” and “The Chain”, Fleetwood Mac was able to compile some of the most famous and critically acclaimed songs of all-time all on the same project. This album will never get old and will always have a special place in my heart and musical library.

  • To Pimp A Butterfly - Kendrick Lamar

Kendrick Lamar’s 2015 magnum opus To Pimp A Butterfly is one of the most sonically and thematically masterful hip-hop albums of all-time. Its stellar production, thematic messaging, and creativity make it stand out not only as a great project, but as a very unique record as well. The jazz influences found throughout this album create the perfect backdrop and aesthetic for Kendrick’s intricate delivery of insightful political and socioeconomic commentary. I return to “u”, “Alright”, and “How Much A Dollar Cost” regularly. The usage of the continuing poem throughout this album which culminates in one of the best musical twists ever as Kendrick reveals he has been conversing with Tupac the entire time is still chill-inducing. I will forever love this project, and I’m so glad that Kendrick Lamar was the first concert I attended.

  • Pure Comedy - Father John Misty

This is my favorite album of all-time. Josh Tillman’s take on an indie folk epic which discusses every element of American society hits on all cylinders for me. Each track is unique and offers relevant and potent critiques on the world around us. Some call this record too heavy or depressing to enjoy listening to, especially repeatedly, but I argue otherwise. The project’s final track, “In Twenty Years Or So”, is able to acknowledge that the world can be difficult, unfair, and make little sense, but that it’s worth living nonetheless with the closing lines “There’s nothing to fear”. I love every song here, but “Pure Comedy”, “Total Entertainment Forever”, “Ballad Of The Dying Man”, “Smoochie”, “So I’m Growing Old On Magic Mountain”, and “In Twenty Years Or So” are some of my favorites. Being able to see Father John Misty perform with my girlfriend after listening to him almost exclusively when meeting and getting to know her was an otherworldly, almost spiritual experience. I even got to touch his bizarrely cold hand from the front row, how cool is that? Pure Comedy epitomizes everything I look for in an album. It has complex lyricism, fantastic and creative production, heartfelt delivery, social commentary, and timeliness. This is the easiest 10/10 I could ever give.

I’m certainly not opposed to giving a perfect score to an album on a new review if any project is able to check all of the boxes and meet the standards set by the projects discussed here. Music is hugely important in my life, and I’m comforted by the fact that returning to these albums will always be an option for me. What are some of your favorite albums of all-time which earn a perfect score from you? Let me know. Thanks for reading.