Let's Talk About... Kanye West

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Some topics are more difficult to discuss than others. Due to the uncharted circumstances we find ourselves in, it’s easy to discourage discourse instead of tackling these divisive subjects in an effort to reach logical and reasonable conclusions. I value having constructive environments and platforms which encourage learning, communication, and understanding, which is why I’m starting this series on my blog. “Let’s Talk About…” will cover a wide variety of topics which, at times, can appear difficult to navigate and comprehend. I’m going to try to articulate my perspectives as clearly as possible, which will hopefully simultaneously further your understanding on the different subjects I’ll be covering. To kick things off, I’m going to be discussing Kanye West, mental health, and the perpetuation and enablement of toxic behavior. Let’s get into it.

I find it necessary to begin by stating that, generally, I’m a pretty big fan of Kanye West. I grew up listening to all of his albums to the point that he became, and still is, my most listened-to artist on Spotify of all-time. At his best, Kanye West is a trend-setting and creative genius who uses his platform to advance progressive ideas and provide a voice for the voiceless. But it has been a while since we’ve seen Kanye’s best. Over the past few years, it’s clear that Kanye’s behavior and perspective have both changed, as his public statements, interviews, and album rollouts have become more manic and unpredictable. This downward trend has reached a boiling point recently, as Kanye declared a presidential bid and seems to have had an emotional breakdown at his recent South Carolina campaign rally. Kanye claims to battle Bipolar Personality Disorder, and recent events would hint that this self-diagnosis may be accurate. While many are looking to make light and jokes out of this situation, I’ve begun to realize that there is nothing funny here. This is the springboard for a necessary discussion about mental health we need to have in this country.

Mental health issues can present themselves in a variety of ways. Happiness and sadness aren’t the only two emotions associated with Bipolar Personality Disorder; things can become manic, unstable, and strange as they have recently with Mr. West. Let’s also not forget that Kanye was involved in a severe car accident years ago which could have caused a traumatic brain injury which could be contributing to these recent episodes. Kanye has claimed he stops taking his prescribed medications when working on a new music project, which he seems to be currently after promoting his supposedly upcoming album DONDA. Instead of those around him stepping in and getting him help, their complicit nature has silently encouraged these behaviors and actions. I’m not nullifying Kanye’s responsibility — he needs to seek help for himself, too — but often times, those struggling with mental health issues have lost perspective on their circumstances and are not in the right mindset to seek the help they need. We need to make healthcare accessible for everyone who needs to address mental health issues, and remove the stigma and shame surrounding seeking help. The company Kanye has situated himself with haven’t helped him recover, and the twenty-four-hour news cycle has continued to perpetuate the headlines which only aggravate the situation.

A former reality TV-star and debatably successful businessman (but not really) became president in 2016, and it seems that many now believe that the most prestigious office and job in the world is up for grabs for anyone to claim. Instead of immediately disregarding Kanye’s announcement of a presidential candidacy, social media and the mainstream news gave this story much more credibility than it deserved from the jump. Kanye’s supposed platform isn’t substantial, it’s built on verifiable misinformation and untruths, such as the recent claim that Harriet Tubman didn’t actually free slaves. These outlandish comments gather press and attention which I used to chalk up as a botched album rollout to increase first-week sale numbers, but now believe are an unknown cry for help from a deeply troubled man dealing with serious mental health issues.

This whole situation is developing, complicated, and sad. Just as soon as Kanye seemed to be on the right track joining Black Lives Matter protests, donating two million dollars to related causes, and claiming to have thrown away all of his Trump apparel, things just get worse again. I sincerely hope that Kanye seeks help, gets treatment, and reinvents his image, returning to the sort of artist he used to be. It’s looking less and less likely that this will happen, though, which disheartens me. What do you think of Kanye West as an artist and public figure? What do you think will happen next with him? Let me know. Thanks for reading.

Albums Which Have Earned A Perfect Score (10/10) From Me

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Music has become one of the central topics I discuss on this blog. Whether I’m reviewing a new album, making a ranking list of projects which have come out in a given year, or discussing how my taste in music has changed over time, I’ve found that I have a lot to say when discussing music. In one of this blog’s first posts, I outlined my rubric and criteria for scoring albums and giving scores out of ten. After writing over twenty album reviews on this blog, none of the new releases in recent months have received a perfect score of 10/10. I give this score out sparingly and infrequently, reserving it for only the most influential, masterful, and flawless records which also have personal significance to me. While Charli, IGOR, RTJ4, and The Highwomen have all come close on this blog with scores of 9/10, none have earned the highly coveted perfect score. In this post, I’m going to be discussing a few albums which I consider prime examples of albums worthy of such critical acclaim.

  • My Beautiful Dark Twisted Fantasy - Kanye West

This is an album which I grew up listening to on repeat throughout my teenage years. It’s one of the main reasons Kanye West is the artist I’ve listened to most all-time on Spotify. This album defines my favorite Kanye West era: Braggadocious, socially conscious, artistic, and self-reflective. Each beat is luxurious and grandiose, establishing the perfect backdrop for Mr. West and all of the accompanying features to advance the album’s enticing narrative. I think every song belongs exactly where it finds itself on the track-listing, and there is nothing I would change about this project. Tracks like “POWER”, “All Of The Lights”, and “Runaway” were classics the moment they released. The multimodality created by Kanye West’s short film Runaway adds even more to this project’s lore, and because of that, it earns a perfect score.

  • The Money Store - Death Grips

This isn’t an album I recommend to everyone I meet. Death Grips’ The Money Store is one of the most influential experimental hip-hop albums of all-time, but it’s not for everyone. Its production was far beyond its years upon its release in 2012, and since then, it has proven to be a guideline for industrial and electronic hip-hop releases for a wide range of artists. Tracks like “Get Got”, “I’ve Seen Footage”, and “Hacker” are just as good now as when I was introduced to them years ago, and the chaotic energy this album presents is unparalleled. There’s nothing I could ever change about this album.

  • Rumours - Fleetwood Mac

This may be the least controversial selection on this list. It’s fairly widely established that Rumours is one of the greatest albums of all-time by any metric. The circumstances in which it was written and recorded were both peculiar and necessary for the creative genius that went into crafting an album consisting of classic after classic. From “Dreams” and “Don’t Stop” to “Go Your Own Way” and “The Chain”, Fleetwood Mac was able to compile some of the most famous and critically acclaimed songs of all-time all on the same project. This album will never get old and will always have a special place in my heart and musical library.

  • To Pimp A Butterfly - Kendrick Lamar

Kendrick Lamar’s 2015 magnum opus To Pimp A Butterfly is one of the most sonically and thematically masterful hip-hop albums of all-time. Its stellar production, thematic messaging, and creativity make it stand out not only as a great project, but as a very unique record as well. The jazz influences found throughout this album create the perfect backdrop and aesthetic for Kendrick’s intricate delivery of insightful political and socioeconomic commentary. I return to “u”, “Alright”, and “How Much A Dollar Cost” regularly. The usage of the continuing poem throughout this album which culminates in one of the best musical twists ever as Kendrick reveals he has been conversing with Tupac the entire time is still chill-inducing. I will forever love this project, and I’m so glad that Kendrick Lamar was the first concert I attended.

  • Pure Comedy - Father John Misty

This is my favorite album of all-time. Josh Tillman’s take on an indie folk epic which discusses every element of American society hits on all cylinders for me. Each track is unique and offers relevant and potent critiques on the world around us. Some call this record too heavy or depressing to enjoy listening to, especially repeatedly, but I argue otherwise. The project’s final track, “In Twenty Years Or So”, is able to acknowledge that the world can be difficult, unfair, and make little sense, but that it’s worth living nonetheless with the closing lines “There’s nothing to fear”. I love every song here, but “Pure Comedy”, “Total Entertainment Forever”, “Ballad Of The Dying Man”, “Smoochie”, “So I’m Growing Old On Magic Mountain”, and “In Twenty Years Or So” are some of my favorites. Being able to see Father John Misty perform with my girlfriend after listening to him almost exclusively when meeting and getting to know her was an otherworldly, almost spiritual experience. I even got to touch his bizarrely cold hand from the front row, how cool is that? Pure Comedy epitomizes everything I look for in an album. It has complex lyricism, fantastic and creative production, heartfelt delivery, social commentary, and timeliness. This is the easiest 10/10 I could ever give.

I’m certainly not opposed to giving a perfect score to an album on a new review if any project is able to check all of the boxes and meet the standards set by the projects discussed here. Music is hugely important in my life, and I’m comforted by the fact that returning to these albums will always be an option for me. What are some of your favorite albums of all-time which earn a perfect score from you? Let me know. Thanks for reading.

Album Review: Jesus Is King - Kanye West

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After over a year of build-up, false release dates, and politically charged rantings and ravings, Kanye West has finally released his 9th solo studio album Jesus Is King. If you can’t tell by the title, Mr. West is proclaiming to have been recently saved by the Christian faith, and his most recent album is meant to tell his fans and listeners “what Jesus has done for him”, according to him during a conversation with esteemed interviewer Zane Lowe for Apple Music. In usual Kanye fashion this album is completely unique from any of his previous projects, but it still left me scratching my head and unsure of how we got to where we are with one of the most hard-to-understand artists in the genre. To put it bluntly, I miss the old Kanye.

Kanye West was once, in my opinion, one of the most creative artists in all of pop culture. A revolutionary producer, social provocateur, and always-unpredictable presence, Kanye represented the best qualities of a “woke” performer. His music was never too overtly preachy, but his older albums were packed full with well thought out social commentaries reflecting issues not only in his community but of those felt by millions across the country. Every album seemed purposeful, intentional, and crafted to a specificity only he could achieve, and unfortunately that magic has dissipated to the point of being nearly non-existent. Even if you remove the cultural context from Jesus Is King (which I think you never should - context informs all art), it just isn’t up to the high standard Mr. West has previously set for himself.

To clarify: I have absolutely no problem with Kanye West releasing religiously-themed music. Artists should feel free to share their life experiences with their audiences, and it’s becoming apparent that the last year has been a rebirth for Kanye personally. Some of my favorite Kanye songs, “Jesus Walks”, “Ultralight Beam”, and “Saint Pablo”, directly invoke religious imagery and symbolism in a beautiful and compelling way. The problem with Jesus Is King is that, to me, these themes feel hallow. There is a lot of musical potential on this project, and not every song is terrible (a couple are actually very enjoyable to listen to), but for some reason the project as a whole just totally falls short for me. Most of the lyrics on the album are nonsecular, but for some reason, I don’t feel like there’s a lasting message like there has been on previous faith-based Kanye tracks. I think there needed to be more thematic substance for this project to be successful in my eyes. I’m not going to go into too much depth about why I find this album problematic contextually, but I would also like to clarify that any disagreements I have with Kanye’s ideologies and opinions have nothing to do with his identity, but instead have to do with his logical inconsistencies and substantive shortcomings. That’s all I’ll say there… let’s not get riled up.

The worry I had for Kanye’s mental stability is starting to lessen as he seems more and more comfortable in his own skin with every public appearance he makes. I’m glad that he’s making music that seems to be speaking to a lot of people, but it just isn’t doing so for me. The intellectual artist that I enjoyed for so long seems to be of the past now, and I will still enjoy his older projects, but this just completely missed the mark for me.

Good tracks: “Selah”, “Follow God”, “Use This Gospel”

Bad tracks: “Closed On Sunday”, “On God”, “Hands On”

Score: 3/10